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> Ihsahn - Das Seelenbrechen (2013), Extreme Progressive Metal
frost192
post Oct 18 2013, 20:39:01
Post #1

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(IMG:http://metalarea.org/images/audiocovers/2013_Oct/acov_tid210665_thumb.jpg)

*Artist: Ihsahn
*Album: Das Seelenbrechen
*Year: 2013
*Genre: Extreme Progressive Metal
*Country: Norway (IMG:http://metalarea.org/forum/style_images/flags/Norway.png)
*Format: mp3@CBR320kbps
*Size: 111MB

Tracklist:
01. Hilber 5:12
02. Regen 5:03
03. NaCl 4:24
04. Pulse 4:54
05. Tacit 2 4:58
06. Tacit 4:36
07. Rec 2:28
08. M 4:38
09. Sub Alter 5:16
10. See 7:26
******************************
Total playing time: 48:55

Extended info
А неплохой альбомчик то однако !


Technical info
(IMG:http://metalarea.org/images/spectrogram/2013_Oct/7cefc2bc2063e1e5f1f7330f89f986aa.png)
Input File: 03. NaCl.mp3
Channels : 2
Sample Rate : 44100
Precision : 16-bit
Duration : 00:04:24.23 = 11652411 samples = 19817 CDDA sectors
File Size : 10.6M
Bit Rate : 321k
Sample Encoding: MPEG audio (layer I, II or III)
Comments :
Title=NaCl
Artist=Ihsahn
Album=Das Seelenbrechen
Tracknumber=3
Year=2013
Genre=Metal



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frost192
post Oct 18 2013, 20:50:16
Post #2

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Ну, понеслась (IMG:style_emoticons/default/1488.gif)
Я за попкорном (IMG:style_emoticons/default/1488.gif)


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post Oct 18 2013, 20:53:05
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К = 8,29
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А я буду следить, чтобы у вентилятора не вылетел предохранитель.


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frost192
post Oct 18 2013, 20:53:33
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Может кому то будет интересно (IMG:style_emoticons/default/smile1.gif)
Conclusions matter, and Ihsahn knows it. This is the reason After was such a powerful conclusion to the Adversary-angL trilogy, and why Emperor’s final release Prometheus is arguably as important as In The Nightside Eclipse. But similarly, a bad ending can sour an entire album. Releases that begin in a disorganized manner but which collect themselves by the end are be much more appreciable than albums which start well but can’t maintain the quality throughout. Unfortunately, Ihsahn’s had trouble with consistency since After: Eremita’s individually good tracks didn’t flow from one to the other, and 2013’s Das Seleenbrechen finds Ihsahn having trouble reconciling his beginnings with his endings. Despite a strong first half, the album dissolves into confused, disorganized experimentation by its conclusion, finishing without much resolution at all.
At first, Das Seelenbrechen appears to continue where Eremita left off: the majority of the blackness has faded from Ihsahn’s music, replaced by driving, technical prog. Ihsahn’s sonic boundaries have never been blurrier, transitioning back and forth between juddering heaviness on “Hilber” and soft clean vocalizations and glorious symphonic climax on “Regen.” Ihsahn’s beautifully sibilant whisper lingers at the end of “Pulse,” and immediately withers away in the chaotic shadow of howls and rhythmic static at the beginning of “Tacit.” It’s remarkably cohesive for such volatile music – transitions are hard enough to articulate well between relatively similar sounding songs, but creating transitions that are abrupt and unpredictable without disrupting the flow of the album is even more praiseworthy.
However, along with the music, the tight-knit transitions start unraveling towards the middle of the album, changing from functional but unorthodox to merely awkward. Though “Tacit” initially sounds like a re-assembled version of its predecessor “Tacit 2”, it soon loses that resemblance and dissolves into a busy procession of horns and synths. At this point, the sonic textures begin to dissolve – heavy guitars and conventional beats are replaced by sporadic rhythms, digital static, and reverb-laden whispers. Song structures entirely collapse. “Rec” builds for an anxious minute but doesn’t ever hit a true climax, its ascent totally cut off when it dives into the moody, nostalgic “M,” a track composed of two minutes of sparse whisper and two minutes of psychedelic guitar swells. Both of the two final tracks suffer from the same unfulfilled climaxes. Closer “See” blends more unpredictable rhythms with quivering, limbo-hanging static, but the track doesn’t really go anywhere, and seems a particularly strange choice for a closer; I had to double check to make sure there weren’t any more tracks after the first listen. Ihsahn has stated that certain tracks on the album were improvised, but the problem is that it’s extremely easy to tell which parts are improvised and which parts have undergone a bit more editing. If Ihsahn is simply using Das Seelenbrechen as a way to express some half-formed ideas, that’s fine, but it seems strange that he would juxtapose those ideas with the more refined ones.
The song and album structure prevent Das Seelenbrechen from attaining coherence, but it’s still an excellent example of Ihsahn’s mastery of atmosphere. Curiously, though Eremita’s theme was paranoia, Das Seelenbrechen is a far more paranoid album – anxious and self-aware, it teeters between uncomfortable, beautiful moments of fear and jagged, swirling apprehension. The sax wailing of previous albums has melted into uneasy static and subdued keyboards, which create a recursive, melancholy, and strained current throughout. On a song-by-song basis, the atmospheres are by far the strongest point. Ihsahn should score films – tracks like “Pulse” wouldn’t be out of place in something like The Matrix.
Ihsahn is an incredible musician, and his music is wholly unique. But to put it frankly, excluding the strong start, Das Seelenbrechen is all over the place. It’s entirely possible that it was Ihsahn’s intent to create such a chaotic and unresolved collection of pieces, but that’s the thing about this kind of sonic experimentation – it doesn’t always work. Given the inconsistency of the album, and given that it’s only been a year since Eremita, I’m inclined to view this album more critically. Even though the album continues to validate Ihsahn’s skill in crafting dense, evocative atmospheres, it feels immature. The title Das Seelenbrechen is taken from a Nietzschean aphorism about how art in its purest form is neither good nor bad. Das Seelenbrechen may be neither good nor bad, but Ihsahn can certainly do better.


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post Oct 18 2013, 20:55:22
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К = 8,29
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Что ты там бормочешь?
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post Oct 18 2013, 20:56:59
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Да прибудет с Вами сила Z
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не зря я подзадержался. (IMG:style_emoticons/default/smile4.gif)


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post Oct 18 2013, 21:03:06
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Вот так подгон на ночь глядя (IMG:style_emoticons/default/smile1.gif)
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post Oct 18 2013, 21:07:04
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post Oct 18 2013, 21:16:18
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Don't be negative.
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Талантливо, но не моё...
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post Oct 18 2013, 21:51:09
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∃!
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Впечатление после первого прослушивания : (IMG:style_emoticons/default/hmm.gif)
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post Oct 18 2013, 22:23:00
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я лучше Emperor послушаю на следующем Вакене..
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post Oct 18 2013, 22:28:29
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Талантливо, но не моё... [2]
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post Oct 18 2013, 22:37:22
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Самый неоднозначный альбом Исана.
Все эти шумо-какофонии - зачем все это?
Совершенно неожиданные Pulse (привет от Paradise lost конца 90-х) и Rec (здравствуй, Mike Patton).
Гораздо более приятные прогрессив-металические Hiber и NaCl.
И только в Regen Исан вспоминает, что он в первую очередь шикарный мелодист, а все эти прогрессив-экспериментальные выкрутасы только вредят его музыке.


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post Oct 19 2013, 09:07:21
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редкий случай когда мне надо поступить по хрущёвски - после NaCl нет никакого желания слушать альбом. там extreme хоть остался или это раздающий по инерции написал?
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post Oct 19 2013, 09:35:27
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лучший ihsahn доставлен (IMG:style_emoticons/default/smile1.gif)


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post Oct 19 2013, 09:56:15
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только первый сольник был у него хорош. а тут пичаль по содержанию в сравнение даже с остальными. ощущение что с этих 10 треков после прослушивания, настоящих треков от силы штуки три - остальные - набор шумов. вобщем-то только NaCl по большому счету и понравился.


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post Oct 19 2013, 10:15:03
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и да, что-то с вокалом у него случилось, пока чистым поет - очень даже, как начинает скримить (или как это там у него называется) - рука так и тянется звук выклюсить...
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post Oct 19 2013, 10:26:38
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Весьма и весьма хороший альбом, я считаю. Материал интересный. Разнообразие и разноплановасть впечатляют. Вот уж Extreme так реально Extreme . Хотя имеется и другая более мягкая и спокойная сторона, которая тоже очень хорошо... но только ты расслабишся и вдруг снова взрыв и подъём. Круто.


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post Oct 19 2013, 10:55:46
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Unicuique secundum opera eius
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Жаль, что не Эстетиквайз выложил сей релиз - было бы интересно повтыкать на тэги =) Я бы сказал, что от металла тут остались одни рожки да ножки.

Конечно, по первому прослушиванию полное впечатление составить трудно, однако уже сейчас могу сказать, что новый альбом мне понравился куда больше предыдущего (который я и вовсе удалил). Пока что больше всего заинтересовали песни про пульс и хлорид натрия. Совсем уже авангардные извраты вроде Tacit как-то мимо.
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post Oct 19 2013, 14:28:49
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Ну в коллекцию загоню тем не менее. (IMG:style_emoticons/default/true_black.gif)
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post Oct 19 2013, 14:40:45
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Освободим Украину от врагов.
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Исан создает музыку не для всех,это точно. Тут как с первого раза,можно и не понять. Где верх,где низ.
Лично мне, понравилось больше, последних пару его опусов.


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post Oct 19 2013, 14:57:40
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Да прибудет с Вами сила Z
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ЦИТАТА(mindeater @ Oct 19 2013, 11:56:15) *
только первый сольник был у него хорош. а тут пичаль по содержанию в сравнение даже с остальными. ощущение что с этих 10 треков после прослушивания, настоящих треков от силы штуки три - остальные - набор шумов. вобщем-то только NaCl по большому счету и понравился.

Где тут шум?я музыку слышу.Оф топ:Лучъ спасибо за подгон фильма" Рюрик потерянная быль."


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post Oct 19 2013, 16:37:29
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Восемь Литров
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альбом вытягивают первые 4 трека.в целом он опять перестарался, как и на предыдущем.
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post Oct 19 2013, 16:55:00
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Освободим Украину от врагов.
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ЦИТАТА(hammer @ 19th October 2013 - 17:57:40) *
Оф топ:Лучъ спасибо за подгон фильма" Рюрик потерянная быль."

Оф топ: да не за что. Смотри,думай,сравнивай. Где правда, где выдумка,а где политика.


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post Oct 19 2013, 21:23:56
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Тридцать три года на борту "тяжёлого" крейсера
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"альбом вытягивают первые 4 трека.в целом он опять перестарался, как и на предыдущем."...Согласен.Хотя прежний альбом вообще не впёр
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post Oct 19 2013, 22:37:57
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Два Литра
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Слушаю альбом.

Ахахах, Ихсахн, что ты делаешь? Прекрати.
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post Oct 20 2013, 11:36:31
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Русь Понад Усе!
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Кто нибудь владеет бонусами?

Limited edition digipak includes two bonus tracks:
11. Entropie
12. Hel
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post Oct 20 2013, 12:44:40
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Попсовик от брутала
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ЦИТАТА(recber @ Oct 20 2013, 12:36:31) *
Кто нибудь владеет бонусами?

Limited edition digipak includes two bonus tracks:
11. Entropie
12. Hel

Они на EP есть
Ihsahn - NaCl [single] (2013)


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post Oct 20 2013, 15:32:51
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Не сомневаюсь в таланте и возможностях Ихсахна, но в Emperor всё было гораздо круче.


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post Oct 20 2013, 19:28:20
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Да прибудет с Вами сила Z
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ЦИТАТА(Mnbvcz @ Oct 20 2013, 17:32:51) *
Не сомневаюсь в таланте и возможностях Ихсахна, но в Emperor всё было гораздо круче.

Ты просто не понял насколько он крут в своих сольных работах.


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