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Тут только для чтения лежат низкобитрейтные (<192kbps) релизы, для которых есть аналоги в высокобитрейтных форумах.

Here goes (and stand in read only mode) low bitrate releases (<192kbps) which were already replaced by high bitrate releases in corresponding forums.

> Outre-Tombe - Nécrovortex (2018), Old School Death Metal (D4)
post Oct 12 2018, 21:51:43
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(IMG:https://metalarea.org/images/audiocovers/2018_Oct/acov_tid311702_thumb.jpg)

*Artist: Outre-Tombe
*Album: Nécrovortex
*Year: 2018
*Genre: Old School Death Metal
*Country: Canada (IMG:https://metalarea.org/forum/style_images/flags/Canada.png)
*Format: mp3@CBR128kbps (IMG:https://metalarea.org/images/bit_low.gif)
*Size: 34MB

Tracklist:
1. La Crypte 04:13
2. Désintégration 02:54
3. Aberration 04:02
4. Écorché vif 03:44
5. Hécatombe II 02:15
6. Nécrovortex 04:13
7. Concile cadavérique 03:41
8. Rongé par les miasmes 03:59
9. Vengeance spectrale 03:30
10. L'enfer des tranchées 03:58
******************************
Total playing time: 36:29




Extended info
Outre-Tombe’s influences are no secret—they clearly draw inspiration from bands such as Grave, Nihilist, Asphyx, and Pestilence—but rattling off a list of classic death metal influences doesn’t do justice to the impact that Outre-Tombe achieve with their music, a sound that is as relentless as it is morbid.

Vitesse - Drums (Phosphorus)
Cobra - Guitars (ex-Saccage)
Crachat - Vocals, Bass (Kaotik, ex-War Command)
Danger - Guitars (lead) (Kaotik, Tales of Destiny)


Technical info
(IMG:https://metalarea.org/images/spectrogram/2018_Oct/58fdca711d6ad41819ab22324456c80c.png)
Input File: 02 - Désintégration.mp3
Channels : 2
Sample Rate : 44100
Precision : 16-bit
Duration : 00:02:54.00 = 7673400 samples = 13050 CDDA sectors
File Size : 2.81M
Bit Rate : 129k
Sample Encoding: MPEG audio (layer I, II or III)
Comments :
Title=Désintégration
Artist=Outre-Tombe
Album=Nécrovortex
Tracknumber=02
Year=2018
Genre=Death Metal



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post Oct 13 2018, 06:30:09
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Причина закрытия (Borderline1991 17-10-2018): Outre-Tombe - Nécrovortex (2018)
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