*Artist: Gulguhk
*Album: Pillé, Vendu Et Trahi
*Year: 2024
*Genre: Black Metal
*Country: Canada
*Format: mp3@CBR320kbps
*Size: 67MB
Tracklist:
1. Comme l'aigle qui revient 04:54
2. D'azur et d'éternité 03:31
3. Rats de cale et catins du roy 04:36
4. Mon berceau, ton tombeau 04:39
5. Le mythe de la roche percée (Yvan Goll) 04:22
6. L'enfer aux jaloux (Jean Auvrav) 06:51
******************************
Total playing time: 28:53
Extended info
The sophomore record from the Québécois solo act Gulguhk, spearheaded by the prolific artist behind Ifernach, Maeströ Cröque Mört, and Aufnorden, among others, presents a notable evolution in sound and style.
In comparison to the debut album, this record exhibits a significant shift towards a more atmospheric concept. The malevolent atmosphere that characterised the earlier work has been partially set aside, though not entirely abandoned, as synths continue to play a crucial role. This evolution aligns Gulguhk with the broader approach in this region, where atmospheric black metal is used to create a rich layered soundscape.
The album achieves an ethereal quality through a balance of guitars and synths, crafting an effulgent atmosphere that is quite immersive. The melodies, while retaining an underlying saccharine quality, do not detract from the album's inherent aggression. This juxtaposition of endearing harmony and ferocity is a hallmark of the Québécois black metal.
Despite its atmospheric leanings, “Pillé, Vendu et Trahi” does not stray from its black metal roots. The vocals remain fiercely cold and chilling, perfectly complementing the instrumental backdrop. The drumming is particularly noteworthy, showcasing a step-up in performance with its commanding presence and tight execution, propelling the album forward with relentless rhythm.
“Pillé, Vendu et Trahi” marks a significant step forward for Finian Patraic, as he demonstrates not only improved songwriting but also a remarkable ability to incorporate atmospheric elements while retaining the raw aggression that defines black metal.
FLAC-Rip
In comparison to the debut album, this record exhibits a significant shift towards a more atmospheric concept. The malevolent atmosphere that characterised the earlier work has been partially set aside, though not entirely abandoned, as synths continue to play a crucial role. This evolution aligns Gulguhk with the broader approach in this region, where atmospheric black metal is used to create a rich layered soundscape.
The album achieves an ethereal quality through a balance of guitars and synths, crafting an effulgent atmosphere that is quite immersive. The melodies, while retaining an underlying saccharine quality, do not detract from the album's inherent aggression. This juxtaposition of endearing harmony and ferocity is a hallmark of the Québécois black metal.
Despite its atmospheric leanings, “Pillé, Vendu et Trahi” does not stray from its black metal roots. The vocals remain fiercely cold and chilling, perfectly complementing the instrumental backdrop. The drumming is particularly noteworthy, showcasing a step-up in performance with its commanding presence and tight execution, propelling the album forward with relentless rhythm.
“Pillé, Vendu et Trahi” marks a significant step forward for Finian Patraic, as he demonstrates not only improved songwriting but also a remarkable ability to incorporate atmospheric elements while retaining the raw aggression that defines black metal.
FLAC-Rip
Technical info
Input File: 04 Mon Berceau, ton tombeau.mp3
Channels : 2
Sample Rate : 44100
Precision : 16-bit
Duration : 00:04:39.73 = 12336269 samples = 20980 CDDA sectors
File Size : 12.0M
Bit Rate : 344k
Sample Encoding: MPEG audio (layer I, II or III)
Comments :
Title=Mon Berceau, ton tombeau
Artist=Gulguhk
Album=Pill, Vendu et Trahi
Tracknumber=4/
Year=2024
Genre=Black Metal
[ Hidden Text ]
