Ichor - 'Black Raven' from the album 'The Black Raven' out September 17th 2021 on Seance Records

Интересная команда. И музыка отличная и подход к ней. Вот только не понятно из чего сделана данная компиляция ?

Track from the upcoming album 'Of Ritual Necrophagia and Mysterious Ghoul Cults'

хороший материал, будем ждать альбом!

эт кто такой.

просветите нуба, кто это

Black Flux - Black Stream

1. В Таинственных Чертогах Древних / In The Mysterious Catacombs Of The Ancients 08:39
2. Вмерзший / The Frozen 07:28
3. Пепельные Кубки / Ashen Goblets 07:48
4. Рефлексия Смерти / The Reflection Of Death 06:23
5. Бесконечная Волчья Долина / The Endless Valley Of The Wolves 09:01
6. Путь / Upwards 08:02

credits
released January 26, 2020

SDST – guitars, bass & roar
Void WHRT - vox
GXfff – drums

All music recorded from January till February 2016 in Nuclear Phoenix studio.
Voice recorded somewhere in ancient Ingria soil at misty autumn days of 2017.

VIOGRESSION’S “EXPOUND AND EXHORT” RE-ISSUE AVAILABLE FOR PRE-ORDER NOW!
In March 2020 Hammerheart Records will re-issue Viogression’s “Expound And Exhort” on LP, 2-CD in a slipcase and MC. It is a highly regarded album, critically acclaimed and sought after by many fans collecting Old School Death Metal. And finally it is available again for an affordable price.

Forgotten early 90’s Death Metal classic back in the spotlight!

Viogression’s debut is one of the great early 90’s Death Metal albums but it never got any bigger attention. This was because the band signed to one of the most notorious rip-off labels at the time, and this wasn’t the only bad thing that happened. Viogression’s American label folded during the first week of the band’s tour with Death, a tour was meant to promote “Expound & Exhort”, and to add insult to injury, their label could not pay for the Euro leg of said tour and so the band had to withdraw. This resulted in very little attention to their debut which just happens to be a Death Metal masterpiece.

“Expound and Exhort” is an album full of great Death Metal that brings Obituary and earlier Death to mind. Vocalist Brian DeNeffe is in league with John Tardy, but occasionally he uses a vicious screamy style of singing. Mostly the music varies between mid-tempo and slow ’n doomy but there are also some sudden blastbeats. This little factor sets Viogression apart from for example Obituary because they never used blastbeats. The production is good and surprisingly heavy, which is a great thing since some of the more underground Death Metal albums have quite a weak production (and it is fully remastered and restored for this re-issue). Another thing that sets Viogression apart is the use of weird effects and ambient parts in the songs. Viogression definitely gets the job done in the quality department, exuding a level of enthusiasm and intensity that is difficult to miss.

“Expound and Exhort” is one of those albums that doesn’t really get old, it keeps moving and changing things up, and does not fall shy of matching what was coming out of the bigger names in the early 90’s. To sum it all up, “Expound and Exhort” is essential for all fans of early 90’s Death Metal. Despite being heavily Obituary influenced it’s by no means a clone. They don’t make ‘em like this anymore.

HELLS HEADBANGERS is proud to present HAVOHEJ's long-awaited third album, "Table of Uncreation," on CD, vinyl LP, and cassette tape formats.

There has never been another artist quite like HAVOHEJ. Perhaps Beherit, but whereas that band’s Holocausto Vengeance reveled in primitivism and eventually flipped the script with little to no warning, sole HAVOHEJ visionary Paul Ledney has studiously pursued the outer limits of BEYOND-black metal, patiently utilizing primitivism as a foundation to explore esoteric vibrations ‘n’ undercurrents only the most tweaked of ears are in tune to. Of course, the name Paul Ledney should be well known in the underground from his preceding Profanatica, but HAVOHEJ is the man’s vision alone, and it is a vision that’s massive and miasmic to behold.

Each HAVOHEJ release has been a world unto itself, even when those worlds fall within the remit of an EP release. The band's earliest releases - the Unholy Darkness and Impurity EP and Dethrone the Son of God full-length, both from 1993 - essentially took the characteristic Profanatica template and proceeded to make it even more primitive. But, it was 1994's landmark Black Perversion EP where HAVOHEJ took black metal to the hinterlands of unorthodoxy, sublimating conventional "black metal" instrumentation into a suffocating slab of transcendental foulness. That same year, Ledney released the Black Mist EP, which further separated itself from black metal convention by being an eerily minimalist expression of electronic ritualism.

Although a period of quiet mystery followed, in 2000 did HAVOHEJ release the volcanic Man and Jinn EP, which feature a brand-new track and intro alongside totally revolutionized covers of Venom and Impaled Nazarene, in essence reclaiming the source material and making it undeniably Ledney-esque. Following that EP, a revitalized Profanatica became Ledney's focus for the next number of years, until 2007 and 2008 revealed a pair of EPs - Tungkat Blood Wand and "Hornbrook Seytan," respectively, both released by HELLS HEADBANGERS - which showed HAVOHEJ stripping down the Black Perversion aesthetic to a crude 'n' crushing sort of black-doom drone. In 2009 did Kembatinan Premasterarrive courtesy of HELLS HEADBANGERS; across this stratifying full-length did Ledney largely recombine the previous HAVOHEJ records into an utterly devastating form of bestial black metal far, far removed from (and superior to) the "bestial metal" resurgence that was just taking shape.

Ever the iconoclast, Ledney brings back HAVOHEJ a whole ten years later with yet another defiant, shapeshifting form: "Table of Uncreation," his third album under the banner. Exploring the seemingly wide divide between space and suffocation, here does Ledney draw the two together into a mesmerizing, monged-out subversion of black metal into simply BLACK. Traces of the entire HAVOHEJ aesthetic are well represented here on "Table of Uncreation," and then spliced 'n' diced into juddering panoramas of primitive sonic filth. Truly, Ledney pierces the veil of forbidden forces only revealed to the blackest and most depraved of minds, as "Table of Uncreation" indeed lives up to its namesake and aborts "black metal" convention and instead vomits forth a crude, caustic, yet exceptionally nuanced type of undead birth. It's as blasphemous as Ledney's legendary work in Profanatica, but defiles tradition with an evil avant-garde touch that is HAVOHEJ's alone.

Quite simply, there's very little, past and especially present, that can be compared to HAVOHEJ. While Ledney could've certainly left his legacy intact and left the name in permanent hiatus, with "Table of Uncreation" does he continue to challenge even the hardiest and hardened ears - and defiles them forevermore. Long live HAVOHEJ, and may it continue to die exquisite deaths.
credits
releases November 15, 2019

R.I.P. Richard Brunelle, sad news indeed...another legend has passed. I was lucky enough to see him in action back in the early 90's... time to blast some old school MORBID ANGEL in his honour.

Today, Iron Bonehead Productions sets October 18th as the international release date for Unaussprechlichen Kulten's highly anticipated fifth album, Teufelsbücher, on CD and vinyl LP formats. Also on the day of release shall Iron Bonehead reissue the band's cult second album, 2008's People of the Monolith, on vinyl LP format as well as a special compilation of their 7" EPs and their live performance at last year's inaugural Never Surrender Fest, curated by Iron Bonehead and Nuclear War Now!

At long last, legendary black metallers DENIAL OF GOD return with their LONG-awaited third album, The Hallow Mass! Set to be jointly released by OSMOSE PRODUCTIONS and HELLS HEADBANGERS, The Hallow Mass was preceded by the short 'n' sweet The Shapeless Mass EP in June, which stoked the fires for yet more new recordings since 2012's Death and the Beyond. To say that this album is massively anticipated and very long overdue would be quite the understatement!

By now, DENIAL OF GOD should need little introduction. Since that fateful year of 1991, the brothers Azter and Ustumallagam have perfected an idiosyncratic style of black metal that's positively drenched in the supernatural and remains firm in their conviction of more classicist-styled songwriting. In fact, "black metal" might even be a misnomer; rather, BLACK HORROR METAL would be more accurate.

This past June, DENIAL OF GOD - utilizing the same lineup that's been firm since 2005, with Azter and Ustumallagam joined by Galheim - released the critically acclaimed The Shapeless Mass EP, which served as a special teaser for the full-length The Hallow Mass. With that EP's title track intended as a springboard for LP#3's themes and aesthetics, DENIAL OF GOD proceed to return in grand, GRAND form with The Hallow Mass, reminding those legions just why their brand of Black Horror Metal is so special whilst uncovering new, undead ground.

Recorded once again at Berno Studio, where the previous two albums and several EPs were recorded, The Hallow Mass is indeed a MASSIVE experience, comprising seven epic-length tracks in an incredibly visual 63 minutes - or put more accurately, six central songs and one intermezzo, underlining DENIAL OF GOD's undeniably cinematic approach to metal. Indeed, within that cinematic experience lays the band's most varied and diverse album to date, and boldly do they begin with the 15-minute sorta-title track "Hallowmas," which includes a compelling middle section consisting solely of keyboards - even more bold for DENIAL OF GOD, as they generally end their albums with the longest track. Nevertheless, The Hallow Massends on a high note with the straightforward-yet-twisted "The Transylvanian Dream," and in between those two tracks do the trio somewhat subvert their trademark melancholy: more aggressive overall than, say, the solemn Death and the Beyond, but dive deeper into the material and discover that same strong sense of melancholy, built upon their characteristic horror aesthetic and theatrical performance. Of course, backed by outstanding drumming from Galheim, frontman Ustumallagam gives another commanding performance which further underlines DENIAL OF GOD's ever-unique nature: raw, blackened vocals that never become senseless screaming, but which actually make the lyrics relatively easy to understand and penetrate the listener's consciousness.

Topped off by stunningly atmospheric full-gatefold artwork by Markus Vesper, who delivered the unforgettable art for Death and the Beyond, DENIAL OF GOD's The Hallow Mass is the timely return of true BLACK HORROR METAL!
credits
releases October 25, 2019

Голландцы Domini Inferi выпустили компиляцию 'In Nomine Domini Inferi - The Second Coming', где также присутствуют новые композиции , кто не в курсе , это команда Hellchrist Xul из Funeral Winds.

трек с компиляции

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"Black Art Macht Frei" is the first single from MALHKEBRE´s upcoming album "Satanic Resistance" to be out soon via Lamech Records, on CD and vinyl format.

"Malhkebre is one of those few bands that are devotional for real. Not just trying "being somebody". We appreciate their uniqueness and seriousness. Their music is as raw and wild as many dream about."

Они тебя забыли спросить)