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> Jaakko Vanhala - Cuts Of Grace [ep] (2019), Noise/Harsh Noise/Industrial
post Jan 23 2020, 20:06:05
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(IMG:https://metalarea.org/images/audiocovers/2020_Jan/acov_tid333020_thumb.jpg)

*Artist: Jaakko Vanhala
*Album: Cuts Of Grace [ep]
*Year: 2019
*Genre: Noise/Harsh Noise/Industrial
*Country: Finland (IMG:https://metalarea.org/forum/style_images/flags/Finland.png)
*Format: mp3@CBR320kbps
*Size: 48MB

Tracklist:
01. Pain Enigma 02:58
02. Phosphorous Nostalgia 03:04
03. Iris Star 03:25
04. Blood Arcanum 03:15
05. Sword Of Death 08:16
******************************
Total playing time: 20:58

(IMG:https://metalarea.org/images/youtube.png)

Extended info
Already years ago announced 3rd CD of Jaakko Vanhala was being postponed several times. Finally, decision was to not make it as full length album but 21 minutes long mini CD. And what a CD it is! If one would feel necessity for another genre tag, it could be "composed noise". As opposite of free flowing jam or formless static rumble, there are many works that feel nearly orchestral. Certainly composed. Cuts of Grace is one of those examples where cut-up harsh noise reaches such a high level, it is not only cut-up for sake of being fragmented and busy. It is cut-up in absolute precision, where sound elements, textures, transitions, all flow perfectly into place. Yet it is noise. Noise composition where juicy and tasty sound sources are arranged into tracks that suck you into whirlwind of noise. Perhaps seemingly chaos, yet these cuts of grace have been assembled by man who clearly is not only noise maker, but noise artist.


Technical info
(IMG:https://metalarea.org/images/spectrogram/2020_Jan/40e443786e00f9f23df7a3fffce577a9.png)
Input File: 05. Sword Of Death.mp3
Channels : 2
Sample Rate : 44100
Precision : 16-bit
Duration : 00:08:16.49 = 21895077 samples = 37236.5 CDDA sectors
File Size : 19.9M
Bit Rate : 321k
Sample Encoding: MPEG audio (layer I, II or III)
Comments :
Title=Sword Of Death
Artist=Jaakko Vanhala
Album=Cuts Of Grace
Tracknumber=05
Year=2019
Genre=Noise



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