*Artist: Cholera
*Album: Prophecies Of Annihilation
*Year: 2011
*Genre: Middle-Eastern Symphonic Progressive/Technical Death Metal
*Country: Canada
*Format: mp3@CBR192kbps
*Size: 92MB
Tracklist:
1. Road Into the Fire 09:24
2. Enslaved Humanity 12:52
3. The Lost Traveler 18:23
4. Reminiscence 13:35
5. Prophecies of Annihilation 11:36
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Total playing time: 1:05:50
Extended info
Канада опять доказала чьи в лесу шишки, что по прежнему ее нельзя скидывать со счетов колыбели прог дэтовых коллективов.
Influences: Opeth, Nile, Behemoth, Nevermore, Necrophagist, Death, Cynic, Aghora, Arsis, Devolved, Martyr, Dimmu Borgir, Adagio, Dream Theater, Symphony X, To-Mera, Decrepit Birth.
Sounds Like:
Technical metal fused with an oriental influence to paint the sonic portrait of an apocalyptic future.
The Enslaved Humanity received great critical acclaim for its synthesis of technical death metal with middle-eastern melodies, progressive flourishes, and dark string orchestration...
...Machine-gun style riffs are quite present here, but Cholera throw in a lot more. There's a cool symphonic-style passage that sounds like something off a classical soundtrack to a dark sci-fi thriller...
...bands like Opeth, Dream Theater, Nile, Behemoth, Arcturus and Scholomance come to mind, though Cholera still sounds very fresh and absolutely original in their delivery. Were talking heavy technical machine-gun riffing, wild solos, fast pummeling drums, both progressive rock-ish, symphonic and some ambient/soundtrack atmospheric synth flourishes and a fair balance between growled and cleanly sung vocals...
Raphael Weinroth-Browne: Electric guitars, classical and steel string guitars, drums, lead vocals, keyboards, piano, cellos, oud, darbukkah, saz, mallets.
Matthew Buller: Fretted basses, fretless bass, additional death vocals, mallets, djembe, additional agonized screams.
Guest Musicians:
Rick Barkhouse: Keyboards
Renato Vettore: Additional Clean Vocals
Nick Gagné: Clean Vocals
Nathanaël Larochette: Classical Guitar
Dean Watson: Agonized screams
"Death Choir" on Reminiscence: Raphael Weinroth-Browne, Nick Gagné, and Nathanaël Larochette
Influences: Opeth, Nile, Behemoth, Nevermore, Necrophagist, Death, Cynic, Aghora, Arsis, Devolved, Martyr, Dimmu Borgir, Adagio, Dream Theater, Symphony X, To-Mera, Decrepit Birth.
Sounds Like:
Technical metal fused with an oriental influence to paint the sonic portrait of an apocalyptic future.
The Enslaved Humanity received great critical acclaim for its synthesis of technical death metal with middle-eastern melodies, progressive flourishes, and dark string orchestration...
...Machine-gun style riffs are quite present here, but Cholera throw in a lot more. There's a cool symphonic-style passage that sounds like something off a classical soundtrack to a dark sci-fi thriller...
...bands like Opeth, Dream Theater, Nile, Behemoth, Arcturus and Scholomance come to mind, though Cholera still sounds very fresh and absolutely original in their delivery. Were talking heavy technical machine-gun riffing, wild solos, fast pummeling drums, both progressive rock-ish, symphonic and some ambient/soundtrack atmospheric synth flourishes and a fair balance between growled and cleanly sung vocals...
Raphael Weinroth-Browne: Electric guitars, classical and steel string guitars, drums, lead vocals, keyboards, piano, cellos, oud, darbukkah, saz, mallets.
Matthew Buller: Fretted basses, fretless bass, additional death vocals, mallets, djembe, additional agonized screams.
Guest Musicians:
Rick Barkhouse: Keyboards
Renato Vettore: Additional Clean Vocals
Nick Gagné: Clean Vocals
Nathanaël Larochette: Classical Guitar
Dean Watson: Agonized screams
"Death Choir" on Reminiscence: Raphael Weinroth-Browne, Nick Gagné, and Nathanaël Larochette
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