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Full Version: Swans - What Is This? [demo] (2019)
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vosmidesijatye


*Artist: Swans
*Album: What Is This? [demo]
*Year: 2019
*Genre: Experimental/No Wave/Industrial/Gothic Rock/Noise
*Country: United States
*Format: mp3@CBR320kbps
*Size: 152MB

Tracklist:
1. Leaving Meaning
2. Hanging Man
3. Amnesia
4. The Nub
5. Cathedrals of Heaven
6. Sunfucker
7. What is This?
8. My Phantom Limb
9. Annaline
10. It's Coming and It's Real
******************************
Total playing time: 1:07:50

Technical info

Input File: 01 Leaving Meaning.mp3
Channels : 2
Sample Rate : 44100
Precision : 16-bit
Duration : 00:06:33.46 = 17351366 samples = 29509.1 CDDA sectors
File Size : 15.7M
Bit Rate : 320k
Sample Encoding: MPEG audio (layer I, II or III)
Comments :
Title=Leaving Meaning
Artist=Swans
Album=What is This?
Tracknumber=1
Year=2019
Genre=Avantgarde



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vosmidesijatye
Лимитированное издание с акустическими демками новых записей, которые войдут в новый полноценный альбом.

The album consists of ten demos of new songs, recorded by Gira, to be further orchestrated upon and included in the next new Swans album.

@320

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Ghostb
Подожду альбома, прошлые три были близки к шедеврам. Едва ли не самый толковый реюнион на моей памяти.
ent404
они же говорили, что все. или это они у нас в последний раз?
acerbus
ЦИТАТА(garmonbozia @ 27th March 2019 - 13:08:16) *
они же говорили, что все
Насколько я понял, речь тогда шла о конце некоего этапа в творчестве. То есть музыка будет и дальше, но теперь чуть по-другому.
Ghostb
И вроде весь старый состав Джира разогнал.
Tular
ЦИТАТА(Ghostb @ 27th March 2019 - 13:25:11) *
И вроде весь старый состав Джира разогнал.

Хан вроде остался.
Демки эти, наверное, можно назвать дарк-фолком. Во что превратятся на альбоме — одному Джире известно, но засасывающих клокочущих воронок по полчаса длиной уже, похоже, не будет.
vosmidesijatye
ЦИТАТА
Hello There!

Some time ago, when I made the decision to disband the most recent line up of Swans, I did so not only with trepidation, but also with a great measure of sadness. This, after all, was the longest lasting grouping of core musicians in the 35 year plus history of Swans, and we made some great work. We were (and remain) friends and collaborated seamlessly as an ensemble. However, a too-comfortable familiarity had taken hold and none of us could see the music surprising us further, so we ditched it, at least for the time being. Following our final performances at Warsaw, in Brooklyn, in November of 2017, after sleeping for what seemed like 6 months, I set about writing new songs for the next version of Swans. I’ve completed about a dozen, and you’ll find 10 of them on the CD we’re releasing as a fundraiser to help with the recording and production costs of the new Swans album. These are as close to the bone as it gets – just my acoustic guitar and voice. Should you delve into this collection, you’ll discover that the material leans heavily towards words (lots of them) and vocals, which I suppose is a natural inclination after 7 years of immersion in music that was so adamantly geared towards long instrumental passages… Though I’m certain these are fine performances here, these are demos, which means that they are skeletal versions intended as a guide for building the songs with other musicians. And build them (and expand them) I will - presumably to my usual excessive degree, though in this case that proclivity won’t be expressed in a musical style similar to the chapter of Swans that recently concluded. That much I know. Just how things will actually end up sounding is another matter. I have lots of thoughts about how the orchestrations should go, but for now they’re still amorphous, and I’m looking forward to diving in with other musicians in the studio and following where the sound we generate leads. As always, I’ll be looking for the unintended. During a recent phone conversation with my friend Bill Rieflin, I expressed my uncertainty about where this record would lead, especially after 7 years of knowing pretty much in advance the timbre and vocabulary that would be used when we (the recent, past version of Swans) played, and Bill said something I’ll employ as a guide for this new chapter: Follow the uncertainty, make that the thing. A person could do worse than to follow the advice of a supreme musical savant like Mr. Rieflin, so I intend to keep his words in my head as we work. Joining me in this slippery quest will be the following:

The Necks: (Tony Buck, Chris Abrahams, Lloyd Swanton). This transcendental improv combo will play basic tracks to my guitar part on 2 songs, and the songs will be further orchestrated and sung to thereafter. Tony will also play various instruments on other songs.
Kristof Hahn: Stalwart stabber of the sky, recent Swan, and past member of Angels of Light, will play various guitars and lap steel.
Larry Mullins: Stellar past Swans and Angels of Light member, will play drums, orchestral percussion, piano, organ, and whatever else seems appropriate.
Yoyo Röhm: Yoyo is a Berlin bassist and composer/arranger, and he’ll play double bass and electric bass, and will also lend his considerable arrangement skills to the proceedings and will help in gathering orchestral musicians and additional signature players.
Ben Frost: Composer, recording artist, maker-of-sounds and psychic landscapes. I will sit down with Ben once the songs have taken on a shape and I will say OK: What?
Anna von Hausswolff and Maria von Hausswolff: Anna is singer, organist, and composer and her sister Maria is a filmmaker who sometimes sings with Anna. Their voices combine wonderfully. They will sing myriad backing vocals on the record.
Baby Dee: recording artist, chanteuse extraordinaire, harpist and pianist. I wrote a song specifically for Dee to sing, and she has consented generously to come out of retirement to do so. She’ll also sing backing vocals, as will her friends Fay Christen and Ida Albertje Michels.
Jennifer Gira: Sometimes contributor to Swans, professionally arcane. Will contribute backing vocals and critique. She sings the song The Nub on the What is This? CD.
Bill Rieflin: Long time honorary Swan and past Angels of Light contributor, currently a member of King Crimson. Bill plays everything. I will sit down with Bill once the songs have taken on a shape and I will say OK: What?
Cassis Staudt: Past member of Angels of Light and passionate accordion pumper, she will play on various songs.
Thor Harris: Robust recent Swan and past Angels of Light superman, recording artist, percussionist, drummer, torturer of homemade instruments. I will sit down with Thor once the songs have taken on a shape and I will say OK: What?
Dana Schechter: Recording artist, past member of Angels of Light, bassist, vocalist, soundscape maker. I will sit down with Dana once the songs have taken on a shape and I will say OK: What?
Heather Trost and Jeremy Barnes: Long time purveyors of exotic Eastern European/Balkan/Turkish homemade hoedowns of psychedelic import as A Hawk and a Hacksaw. They sing and play multiple instruments. I will sit down with them once the songs have taken on a shape and I will say OK: What?
Norman Westberg, Phil Puleo, Christopher Pravdica, Paul Wallfisch: Heroic recent Swans members, ex-Swans, and Swans again forever. I will sit down with them once the songs have taken on a shape and I will say OK: What?
M.Gira will sing and play guitar and produce the record.
vosmidesijatye
Not bad. Really.

Ghostb
ЦИТАТА(vosmidesijatye @ Mar 27 2019, 21:57:45) *
Not bad. Really

Listen to "To Be Kind" (2014) 20.gif
ptlm
Если честно у лебедей самый ъ альбом это грязь и его им не переплюнуть никогда.
Ghostb
ЦИТАТА(ptlm @ Mar 28 2019, 17:27:49) *
у лебедей самый ъ альбом это грязь и его им не переплюнуть никогда

Слушаю их творчество начиная с 87 года в основном. Более ранние сейчас интересны скорее с исторической точки зрения.
acerbus
Не, надо было на ипишке Circus Mort с музыкой завязывать, потом пошла какая-то ересь вместо нормального пост-панка 1488.gif
ent404
ЦИТАТА(acerbus @ 28th March 2019 - 22:01:13) *
потом пошла какая-то ересь вместо art - Godflesh

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