*Artist: Antiquus Scriptum
*Album: Conclamatum Est
*Year: 2010
*Genre: Epic/Folk/Symphonic Black Metal
*Country: Portugal
*Format: mp3@CBR320kbps
*Size: 165MB
Tracklist:
1. The Second Punic War, CCXVIII B. C. - Prologus 02:34
2. A Hecatombe Of Slaves 11:38
3. The Eldest Son: Interludium I 01:31
4. Remember Me As King 15:30
5. A Moçoila De Al-Mahadan: Interludium II 03:34
6. Den Nordiske Sjel Lever I Meg 08:39
7. Eu, O Misantropo... 11:54
8. Anmchara - Uma Alma Amiga: Interludium III 02:06
9. Horned Cast - Epilogus 01:08
Bonus:
10. Manitou (Venom Cover) 02:58
11. Dethroned Emperor (Celtic Frost Cover) 04:32
12. Skeletons Of Society (Slayer Cover) 05:09
13. Futuro Nuclear (Psycoma Cover) 00:33
14. Sententious Despicable (The Invertebrate Cover) 00:16
15. Philosophy Of Negativity (Mordaça Cover) 03:34
16. Prelude (Manowar Cover) 01:08
******************************
Total playing time: 1:16:44
Extended info
третий полноформат с 1999 года
Epic and Symphonic Black Metal, with old Thrash, old Death Metal, Viking Metal and Folk influences.
Отмечу отсутствие задравшего все и вся скрима, вокал относительно чистый, хрипловатый(распевный в духе примордиал)...и главное никаких уже привычных фолково-пьяных тралей-валей(я имею в виду музыку с "балалайками и гуслями", а поприкалываться группа может, услышите)
многоминутные эпики педалят безбожно с поющим "руны" вокализом,
стилистически обьединяя скажем прямолинейность Батори и напевность с мелодичностью Примордиал (это естесственно образно, тут еще всяко много можно наассоциировать)
ну и бонусная секция определенно порадует
налетом эпичности на мощности оригиналов
альбом люб и леп-реквестирую лосяша(хотя чую это проблемно буит)
Sacerdos Magus - Script and composition, vocals, bass, acoustic and electric guitars, SR-16 and some keystrokes in “A Hecatombe Of Slaves” and “Remember Me As King”.
Guest Musicians:
Gustavo Vieira - Keyboards.
Paulo Vieira - Capture and mix, Lead guitar in “A Hecatombe Of Slaves”, “ Den Nordiske Sjel Lever I Meg”,” Dethroned Emperor”, “Skeletons Of Society” and “Phylosophy Of Negativity”.
2nd acoustic guitar in “A Moçoila De Al-Mahadan:Interludium II”, 2nd vocals and Renoise / Addictive Drums in “Skeletons Of Society” and Renoise / Addictive Drums in “Prelude”.
Ricardo Vieira - Alesis / Cubase epic chorus samples, including all the
orchestration in the final of “Eu, O Misantropo”...
Zeto - Traditional Tin Whistle and Uilleann Pipe in “A Moçoila De Al-Mahadan: Interludium II”.
Simão "Beyonder" - 2nd vocals in “Dethroned Emperor”.
Chorus: Sacerdos Magus, Paulo Vieira, Gustavo Vieira and Ricardo Vieira.
Guitars: Paulo Vieira (Session) (Firstborn Evil/The Firstborn, Nargothrond (Prt), Sword Of Ahkron, Collusive, Pestox, D.O.M. (Prt), Sat On The Cat, Decreto 77)Vitor "Asmodeus" Mendes (Ultrapodre, The Invertebrate, Psycoma, Raw (Prt), Project Six, Systematic Collision, Neoplasmah, Putregod/Fecal Expiration)
Drums:Dário "Dakonem Drakul" Duarte (Systematic Collision)
Released in 2010 by Satanica from New Zealand, label of the members of the Black Metal band Beltane.
далее о концепции альбома:
This album is divided in two parts or chapters, "Caput I - Tristitia, Absentia,
Molestia" (Chapter I - Sadness, Absence, Suffering), that is from the track 1 to
9 - the part of the original themes and Caput II - Tributum (Chapter II -
Tribute), track 10 to 16 - the part of the cover songs.
The intro “The Second Punic War, CCXVIII B. C. - Prologus” and “A Hecatombe Of
Slaves” are based in a true story of a brawl between Romans and Carthaginians,
that started in CCXVIII B. C. as the first track indicates. This struggle lasted
a few years and was called The Second Punic War. In the end the Carthage people,
surrounded by thousands of Roman legions committed mass suicide, that’s why the
second theme’s called “A Hecatombe Of Slaves”.
“A Moçoila De Al-Mahadan: Interludium II” is based on a Lusitanian legend that
says why the city of Almada was called like this. A forbidden love between a
Lusitanian girl and a Moorish soldier in times of the Moorish occupation, is in
the cause of that. The Moors started calling the place land of the Beloved, that
in Moorish language is Al-Mahadan.
Anmachara is Celtic language and means A Friendly Soul. Was in this terms that
the Celts saw the dead in the night of Samhain (night of worship of the dead)
the actual Halloween.
In the end of “Eu, O Misantropo...” can be heard a version of the Portuguese
National Anthem; The original version has music of Alfredo Keil and lyrics of
Henrique Lopes de Mendonça, written in 1890 and entitled "A Portuguesa". Note:
Antiquus Scriptum is NOT (!) a Nazi or a NS band! Sacerdos Magus used this idea
with a sense of patriotism, but not related with any xenophobic or ideals!
Horned Cast has the name of the Mexican radio show that presented a interview
with Antiquus Scriptum; The assembly of the musical parts and the vocals are
from its creator and presenter Azael (Mex).
The theme “Futuro Nuclear” was written by Sacerdos Magus for the Lusitanian Punk
/ Hardcore project Psycoma in 1994, “Sententious Despicable” for the Lusitanian
Grindcore project The Invertebrate in 1994 and “Phylosophy Of Negativity” for
the Lusitanian Crossover project Mordaça in 1998.
Epic and Symphonic Black Metal, with old Thrash, old Death Metal, Viking Metal and Folk influences.
Отмечу отсутствие задравшего все и вся скрима, вокал относительно чистый, хрипловатый(распевный в духе примордиал)...и главное никаких уже привычных фолково-пьяных тралей-валей(я имею в виду музыку с "балалайками и гуслями", а поприкалываться группа может, услышите)
многоминутные эпики педалят безбожно с поющим "руны" вокализом,
стилистически обьединяя скажем прямолинейность Батори и напевность с мелодичностью Примордиал (это естесственно образно, тут еще всяко много можно наассоциировать)
ну и бонусная секция определенно порадует
налетом эпичности на мощности оригиналов альбом люб и леп-реквестирую лосяша(хотя чую это проблемно буит)
Sacerdos Magus - Script and composition, vocals, bass, acoustic and electric guitars, SR-16 and some keystrokes in “A Hecatombe Of Slaves” and “Remember Me As King”.
Guest Musicians:
Gustavo Vieira - Keyboards.
Paulo Vieira - Capture and mix, Lead guitar in “A Hecatombe Of Slaves”, “ Den Nordiske Sjel Lever I Meg”,” Dethroned Emperor”, “Skeletons Of Society” and “Phylosophy Of Negativity”.
2nd acoustic guitar in “A Moçoila De Al-Mahadan:Interludium II”, 2nd vocals and Renoise / Addictive Drums in “Skeletons Of Society” and Renoise / Addictive Drums in “Prelude”.
Ricardo Vieira - Alesis / Cubase epic chorus samples, including all the
orchestration in the final of “Eu, O Misantropo”...
Zeto - Traditional Tin Whistle and Uilleann Pipe in “A Moçoila De Al-Mahadan: Interludium II”.
Simão "Beyonder" - 2nd vocals in “Dethroned Emperor”.
Chorus: Sacerdos Magus, Paulo Vieira, Gustavo Vieira and Ricardo Vieira.
Guitars: Paulo Vieira (Session) (Firstborn Evil/The Firstborn, Nargothrond (Prt), Sword Of Ahkron, Collusive, Pestox, D.O.M. (Prt), Sat On The Cat, Decreto 77)Vitor "Asmodeus" Mendes (Ultrapodre, The Invertebrate, Psycoma, Raw (Prt), Project Six, Systematic Collision, Neoplasmah, Putregod/Fecal Expiration)
Drums:Dário "Dakonem Drakul" Duarte (Systematic Collision)
Released in 2010 by Satanica from New Zealand, label of the members of the Black Metal band Beltane.
далее о концепции альбома:
This album is divided in two parts or chapters, "Caput I - Tristitia, Absentia,
Molestia" (Chapter I - Sadness, Absence, Suffering), that is from the track 1 to
9 - the part of the original themes and Caput II - Tributum (Chapter II -
Tribute), track 10 to 16 - the part of the cover songs.
The intro “The Second Punic War, CCXVIII B. C. - Prologus” and “A Hecatombe Of
Slaves” are based in a true story of a brawl between Romans and Carthaginians,
that started in CCXVIII B. C. as the first track indicates. This struggle lasted
a few years and was called The Second Punic War. In the end the Carthage people,
surrounded by thousands of Roman legions committed mass suicide, that’s why the
second theme’s called “A Hecatombe Of Slaves”.
“A Moçoila De Al-Mahadan: Interludium II” is based on a Lusitanian legend that
says why the city of Almada was called like this. A forbidden love between a
Lusitanian girl and a Moorish soldier in times of the Moorish occupation, is in
the cause of that. The Moors started calling the place land of the Beloved, that
in Moorish language is Al-Mahadan.
Anmachara is Celtic language and means A Friendly Soul. Was in this terms that
the Celts saw the dead in the night of Samhain (night of worship of the dead)
the actual Halloween.
In the end of “Eu, O Misantropo...” can be heard a version of the Portuguese
National Anthem; The original version has music of Alfredo Keil and lyrics of
Henrique Lopes de Mendonça, written in 1890 and entitled "A Portuguesa". Note:
Antiquus Scriptum is NOT (!) a Nazi or a NS band! Sacerdos Magus used this idea
with a sense of patriotism, but not related with any xenophobic or ideals!
Horned Cast has the name of the Mexican radio show that presented a interview
with Antiquus Scriptum; The assembly of the musical parts and the vocals are
from its creator and presenter Azael (Mex).
The theme “Futuro Nuclear” was written by Sacerdos Magus for the Lusitanian Punk
/ Hardcore project Psycoma in 1994, “Sententious Despicable” for the Lusitanian
Grindcore project The Invertebrate in 1994 and “Phylosophy Of Negativity” for
the Lusitanian Crossover project Mordaça in 1998.
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